The first thing to know about John Ridley's "Jimi: All Is By My Side" is that the writer-director was unable to secure rights to any of Jimi Hendrix's original songs or recordings: This turns out to provide both the film's biggest strengths and biggest shortcomings. Less a traditional biopic than a strategically limited portrait of a particular time, place and person, the film effectively brings pre-stardom Hendrix to life without ever tapping into the source of what made him such a magnetic performer, or elucidating just what drove him to create a lifetime's worth of music in the span of four years.
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