Now, more than forty-five years later, Adolfo finds himself in a similar situation, working alongside another sunny Brazilian singer and European harmonica player-vocalist Carol Saboya, who happens to be his daughter, and vibraphonist/harmonica player numbers. The album ostensibly draws a parallel between Rio de Janeiro's Copacabana sector and New York's Greenwich Village in the '50s and '60s; the music, however, does not.
http://ift.tt/1ueuhgY
http://ift.tt/1ueuhgY
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