Cameron was high priestess of a lost L.A. bohemianism: Larry Wilson

Los Angeles bohemianism never got the same props from the bereted ones as did espresso and Gauloises high life on the Left Bank or in Greenwich Village or North Beach. But “Cameron: Songs for the Witch Woman,” a new show at the Pacific Design Center outpost of MOCA celebrating the remarkable - and remarkably subversive - life and art of Marjorie Cameron, who lived for long spells in both Pasadena and the Inland Empire's Beaumont, shows that a counterculture can be created in unexpected places.

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